Evaluation Question 1

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1. IDENT - We used the convention of having an ident at the start of our film, as this is what is expected to introduce and start the film.  We did a quite graphic, arty ident which is also conventional of an ident, swell as involving an animation aspect
2. SHOT REVERSE SHOT - We also used the shot reverse shot which is sued a lot in real media products, as we thought this would be a good shot to use as it establishes Maddie, and then shows that she's running, and where she is. It also encapsulates the audience as the point of view shot included in the shot reverse, gives you her perspective and increases the anticipation.
3. ENIGMA - We started our film with a clip of Maddie running through the forest that suddenly stops to go to the titles, which creates an enigma, also by how it suddenly cuts to her in a bedroom.  We chose to do this as we've seen this in many other thrillers, and it gives a snapshot o whats happened to the person without having to go in to much detail, so mystery is created.  So we used this form of a real media product as we really liked the effect it creates in films.  
4. TITLES - Like the ident, we definitely wanted titles in our film including the title 'Stolen' as it was a good way to break up the forest scene and the bedroom scene, and again we have seen this in real media products and the title also gives a hint into what happens to the girl as she is 'stolen'.   It also made our film look more professional and realistic, as you would expect to see titles.
5. ATMOSPHERIC MUSIC - Music is commonly expected in films and although this uses the convention, we decided to challenge the convention some films have of the music building from jolly music to serious as this sometimes makes the antagonist more creepy as the music is so happy.  We decided to go for high drama music from the start of the film to indicate the genre and set the scene.
6. LOW ANGLE SHOT OF MYSTERIOUS NEW CHARACTER - The low angle makes the antagonist look more powerful and this still has an effect even when its just a shot of his car pulling up into the driveway.  The cross cut to the car establishes a new character which slowly explains why the girl is in the bedroom, and if we hadn't done this and used the convention of slowing unveiling new characters, then our film would be very one sided and there would be no progression in the film.
7. REACTION SHOT OF GIRL+ POINT OF VIEW SHOT - Similarly to the establishing shot of the new character, the protagonist, we used a reaction shot of the girl looking shocked at the car.  We saw this composition of shots in our film research and wanted to use it as it slowly unveils the plot without the characters having to say it.  Then we also used a point of view shot as this , similarly to in the forest, creates tension.
8. CONTINUITY - We used continuity when Conor, the protagonist, unlocks the door and enters it as otherwise the shot would stand out and be very noticeable as he could open the door and then unlock that as that doesn't make sense.  This is sort of a convention, but we don't feel like we intentionally used this because we saw it in films, but more because otherwise the film would be messy
9. DARK LIGHTING, FACE OBSCURE - This is a classic convention used in thrillers, as the darkness creates fright and the obscurity of his face, makes him seem more daunting and mysterious.  However we challenged this convention in a sense that we did it subtly, as it was caused by there being dark lighting in the hallway, instead of us using a bright light and a blackout.
10. CREEPILY NORMAL ACTIONS - Although i have seen this in a few thrillers, where the 'murderer' leads a normal life and goes home and makes breakfast for example, it is common in thrillers for the antagonist to be very stereotypically angry and sharpen their knives for example.  But we wanted to challenge this and confuse the audience, so we made the antagonist drive home in an expensive car to a nice spacious house and sit down to watch the cricket, as this means it makes the audience question why he would feel the need to kidnap a girl, and this makes them think of what happens next and keeps them wanting more.
11. DISTRESSED ACTION BY PROTAGONIST - We wanted to create the idea that Maddie had been at this house for quite some time instead of it being a recent kidnapping, but we felt like the protagonist needed to show some signs of distress as it is common in thrillers, for the protagonist to be screaming or cry in, so we mad Maddie get angry and shout, but not in a very intense way which again makes the audience question how many times she has got mad, and how long she's been there.
12. NO VIOLENCE OR WEAPONS USED - A large way we challenged conventions of a thriller, was how we didn't use any weapons or violence, especially towards the protagonist.  We wanted our film to be very realistic, and as we wouldn't be able to do proper gore scenes, with fake blood etc. we thought we should leave that out, but also we chose on purpose to leave it out, and use the enigma of the angry man storming upstairs at the end as this leaves the question of is he/her going to be violent towards each other.

IW